Image credits
Every image on the site, with its source, its maker and its licence. Nothing here is a stock photograph, an AI image, or a photograph of a living person.
Wikimedia Commons

Shakespeare's birthplace, Henley Street, Stratford-upon-Avon - geograph.org.uk - 6666308habiloid, 2015-10-17. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The Birthplace on Henley Street, Stratford-upon-Avon: the timber-framed main house and, at the left, the lower western cottage.
- Maker
- habiloid, 2015-10-17
- Licence
- CC BY-SA 2.0
- Source
- File:Shakespeare's birthplace, Henley Street, Stratford-upon-Avon - geograph.org.uk - 6666308.jpg
- Used on
- Shakespeare and the Old Faith, The Case For, The Family

Shakespeare's birthplace 1769Drawn by Richard Greene, engraved by Benjamin Cole, for the Gentleman's Magazine, 1769. Wikimedia Commons. Public domain. - What it shows
- An engraving of the Henley Street houses in 1769, a long timber-framed range with the western cottage at the left, before the Victorian restoration.
- Maker
- Drawn by Richard Greene, engraved by Benjamin Cole, for the Gentleman's Magazine, 1769
- Licence
- Public domain
- Source
- File:Shakespeare's birthplace 1769.jpg
- Used on
- The Devil’s Advocate, The Family, Master Timeline

The Guild Chapel, Stratford Upon Avon - geograph.org.uk - 3261085Rude Health, 2012-10-16. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The Guild Chapel, Stratford-upon-Avon, from Chapel Lane: battlemented nave, north porch and west tower, with the Guildhall range beyond.
- Maker
- Rude Health, 2012-10-16
- Licence
- CC BY-SA 2.0
- Source
- File:The Guild Chapel, Stratford Upon Avon - geograph.org.uk - 3261085.jpg
- Used on
- The Case For, The Family

Stratford-Upon-Avon, Guild Chapel, Doom painting over the chancel arch - geograph.org.uk - 7210452Michael Garlick, 2022-06-15. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The Doom painting over the chancel arch of the Guild Chapel, Stratford: Christ in judgement with the saved and the damned, as conserved.
- Maker
- Michael Garlick, 2022-06-15
- Licence
- CC BY-SA 2.0
- Source
- File:Stratford-Upon-Avon, Guild Chapel, Doom painting over the chancel arch - geograph.org.uk - 7210452.jpg
- Used on
- The Case For

Stratford-upon-Avon - Guild Chapel - geograph.org.uk - 7564128Colin Smith, 2023-07-29. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The nave of the Guild Chapel, Stratford, looking east, with the Doom painting above the chancel arch.
- Maker
- Colin Smith, 2023-07-29
- Licence
- CC BY-SA 2.0
- Source
- File:Stratford-upon-Avon - Guild Chapel - geograph.org.uk - 7564128.jpg
- Used on
- The Case For

Guildhall - King Edward VI Grammar School - Church Street, Stratford-upon-AvonElliott Brown, 2013-01-06. Wikimedia Commons. CC BY 2.0. - What it shows
- The timber-framed Guildhall on Church Street, Stratford, whose upper floor was the grammar school's schoolroom.
- Maker
- Elliott Brown, 2013-01-06
- Licence
- CC BY 2.0
- Source
- File:Guildhall - King Edward VI Grammar School - Church Street, Stratford-upon-Avon.jpg
- Used on
- The Case For, The Devil’s Advocate

Holy Trinity Church, Stratford-Upon-Avon - geograph.org.uk - 4921945Peter Trimming, 2016-04-23. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- Holy Trinity Church, Stratford-upon-Avon, tower and spire seen across the River Avon in spring.
- Maker
- Peter Trimming, 2016-04-23
- Licence
- CC BY-SA 2.0
- Source
- File:Holy Trinity Church, Stratford-Upon-Avon - geograph.org.uk - 4921945.jpg
- Used on
- Shakespeare and the Old Faith, Master Timeline

Thomas Medland - The Church of Stratford Upon Avon taken from the Water - B1976.1.507 - Yale Center for British ArtThomas Medland, after T. Thornton; scan by the Yale Center for British Art, 1793. Wikimedia Commons. CC0. - What it shows
- A 1793 engraving of Holy Trinity Church, Stratford, seen from the river.
- Maker
- Thomas Medland, after T. Thornton; scan by the Yale Center for British Art, 1793
- Licence
- CC0
- Source
- File:Thomas Medland - The Church of Stratford Upon Avon taken from the Water - B1976.1.507 - Yale Center for British Art.jpg
- Used on
- The Family, Master Timeline

Stratford-Upon-Avon , Holy Trinity Church - Shakespeare's Grave - geograph.org.uk - 3969507Lewis Clarke, 2014-05-04. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The chancel floor of Holy Trinity Church, Stratford, with Shakespeare's grave slab roped off and the board transcribing the curse on it.
- Maker
- Lewis Clarke, 2014-05-04
- Licence
- CC BY-SA 2.0
- Source
- File:Stratford-Upon-Avon , Holy Trinity Church - Shakespeare's Grave - geograph.org.uk - 3969507.jpg
- Used on
- The Case For, Master Timeline

Monument-ht6Sicinius, 2014-07-29. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- The Shakespeare funerary monument on the chancel wall of Holy Trinity Church, Stratford: the half-length bust with quill and paper under a canopy with the arms above.
- Maker
- Sicinius, 2014-07-29
- Licence
- CC BY-SA 4.0
- Source
- File:Monument-ht6.jpg
- Used on
- The Devil’s Advocate

Antiquitiesofwar00dugd 0504Wenceslaus Hollar, for Sir William Dugdale's Antiquities of Warwickshire, 1656. Wikimedia Commons. Public domain. - What it shows
- Dugdale's 1656 engraving of the Shakespeare monument in Holy Trinity, with the epitaph and the grave curse written out beside it.
- Maker
- Wenceslaus Hollar, for Sir William Dugdale's Antiquities of Warwickshire, 1656
- Licence
- Public domain
- Source
- File:Antiquitiesofwar00dugd 0504.jpg
- Used on
- The Family

Mary Arden's House Farm - Wilmcote - Glebe FarmhouseElliott Brown, 2013-02-02. Wikimedia Commons. CC BY 2.0. - What it shows
- Glebe Farm at Wilmcote, a brick-encased timber-framed farmhouse, identified since 2000 as Mary Arden's childhood home.
- Maker
- Elliott Brown, 2013-02-02
- Licence
- CC BY 2.0
- Source
- File:Mary Arden's House Farm - Wilmcote - Glebe Farmhouse.jpg
- Used on
- The Devil’s Advocate, The Family

Palmer's Farmhouse (aka Mary Arden's House)DeFacto, 2013-09-01. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- Palmer's Farm at Wilmcote, a long close-studded timber-framed sixteenth-century farmhouse.
- Maker
- DeFacto, 2013-09-01
- Licence
- CC BY-SA 4.0
- Source
- File:Palmer's Farmhouse (aka Mary Arden's House).jpg
- Used on
- The Devil’s Advocate

Shottery, Anne Hathaway's Cottage - geograph.org.uk - 4934570Michael Garlick, 2016-04-28. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- Anne Hathaway's Cottage at Shottery, a thatched timber-framed farmhouse seen from its garden.
- Maker
- Michael Garlick, 2016-04-28
- Licence
- CC BY-SA 2.0
- Source
- File:Shottery, Anne Hathaway's Cottage - geograph.org.uk - 4934570.jpg
- Used on
- The Case For

St Andrew's Church, Temple Grafton - geograph.org.uk - 3315228David P Howard, 2013-01-31. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- St Andrew's Church, Temple Grafton, Warwickshire, a stone church with a shingled spire, seen from the south-east.
- Maker
- David P Howard, 2013-01-31
- Licence
- CC BY-SA 2.0
- Source
- File:St Andrew's Church, Temple Grafton - geograph.org.uk - 3315228.jpg
- Used on
- The Case For

Charlecote Park - gatehouseDeFacto, 2016-04-09. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- The Elizabethan brick gatehouse of Charlecote Park, Warwickshire, with two octagonal turrets.
- Maker
- DeFacto, 2016-04-09
- Licence
- CC BY-SA 4.0
- Source
- File:Charlecote Park - gatehouse.jpg
- Used on
- The Case For, The Family, Master Timeline

New place houseGeorge Vertue, 1737. Wikimedia Commons. Public domain. - What it shows
- George Vertue's 1737 pen sketch of New Place, Stratford: a gabled timber-framed front with rows of windows.
- Maker
- George Vertue, 1737
- Licence
- Public domain
- Source
- File:New place house.JPG
- Used on
- The Family

The Gardens of Shakespeare's New Place, Stratford - geograph.org.uk - 6442271Noisar, 2018-05-29. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The knot garden on the site of New Place, Stratford, with the Guild Chapel tower behind.
- Maker
- Noisar, 2018-05-29
- Licence
- CC BY-SA 2.0
- Source
- File:The Gardens of Shakespeare's New Place, Stratford - geograph.org.uk - 6442271.jpg
- Used on
- The Case For

Shakespeare-TestamentWritten by a scribe and signed by William Shakespeare; The National Archives PROB 1/4, 1616. Wikimedia Commons. Public domain. - What it shows
- The third sheet of Shakespeare's will, 1616, closely written in secretary hand, with the signature at the foot.
- Maker
- Written by a scribe and signed by William Shakespeare; The National Archives PROB 1/4, 1616
- Licence
- Public domain
- Source
- File:Shakespeare-Testament.jpg
- Used on
- The Devil’s Advocate

Shakespeare Droeshout 1623 From the First Folio EditionMartin Droeshout; scan by the Bodleian Library, 1623. Wikimedia Commons. Public domain. - What it shows
- Martin Droeshout's engraved portrait of William Shakespeare from the 1623 First Folio.
- Maker
- Martin Droeshout; scan by the Bodleian Library, 1623
- Licence
- Public domain
- Source
- File:Shakespeare Droeshout 1623 From the First Folio Edition.jpg
- Used on
- Shakespeare and the Old Faith, Master Timeline

Title Page - Shakespeare First Folio (1623), title page - BLIsaac Jaggard and Edward Blount, printers; Martin Droeshout, engraver; scan by the British Library, 1623. Wikimedia Commons. CC0. - What it shows
- The title page of the 1623 First Folio with the Droeshout portrait.
- Maker
- Isaac Jaggard and Edward Blount, printers; Martin Droeshout, engraver; scan by the British Library, 1623
- Licence
- CC0
- Source
- File:Title Page - Shakespeare First Folio (1623), title page - BL.jpg
- Used on
- Shakespeare and the Old Faith, The Case For, The Works

S. Harsnett; A declaration of Egregious popish...Title page Wellcome M0012988Printed by James Roberts, London; scan by the Wellcome Collection, 1603. Wikimedia Commons. CC BY 4.0. - What it shows
- The 1603 title page of Samuel Harsnett's A Declaration of Egregious Popish Impostures.
- Maker
- Printed by James Roberts, London; scan by the Wellcome Collection, 1603
- Licence
- CC BY 4.0
- Source
- File:S. Harsnett; A declaration of Egregious popish...Title page Wellcome M0012988.jpg
- Used on
- The Works

1582 Rhemes New TestamentThe English College at Rheims; printed by John Fogny, 1582. Wikimedia Commons. Public domain. - What it shows
- The title page of the Rheims New Testament, 1582, inside a woodcut border.
- Maker
- The English College at Rheims; printed by John Fogny, 1582
- Licence
- Public domain
- Source
- File:1582 Rhemes New Testament.pdf
- Used on
- The World

Title Page of the Rheims New Testament with the first page of the Gospel According to Matthew Compared with the Bishop's Bible, 1589William Fulke, editor; printed by the deputies of Christopher Barker, 1589. Wikimedia Commons. Public domain. - What it shows
- A two-page spread from Fulke's 1589 edition printing the Rheims New Testament in parallel with the Bishops' Bible.
- Maker
- William Fulke, editor; printed by the deputies of Christopher Barker, 1589
- Licence
- Public domain
- Source
- File:Title Page of the Rheims New Testament with the first page of the Gospel According to Matthew Compared with the Bishop's Bible, 1589.jpg
- Used on
- The Works

Houghton STC 2093 - aiiPrinted by Rowland Hall, Geneva; scan by the Houghton Library, 1560. Wikimedia Commons. Public domain. - What it shows
- A leaf of the 1560 Geneva Bible, Genesis 2 to 3, with a woodcut map of Eden and dense marginal notes.
- Maker
- Printed by Rowland Hall, Geneva; scan by the Houghton Library, 1560
- Licence
- Public domain
- Source
- File:Houghton STC 2093 - aii.jpg
- Used on
- The Devil’s Advocate, The Works

Edmondus Campianus, PA03250Unknown engraver, seventeenth century. Wikimedia Commons. Public domain. - What it shows
- A seventeenth-century engraving of Edmund Campion, half length, with the rope and knife of his martyrdom.
- Maker
- Unknown engraver, seventeenth century
- Licence
- Public domain
- Source
- File:Edmondus Campianus, PA03250.jpg
- Used on
- The World, Master Timeline

Robert SouthwellUnknown engraver, sixteenth or seventeenth century. Wikimedia Commons. Public domain. - What it shows
- A small period engraving of Robert Southwell with a rope round his neck and a knife at his breast.
- Maker
- Unknown engraver, sixteenth or seventeenth century
- Licence
- Public domain
- Source
- File:Robert Southwell.JPG
- Used on
- The World, Master Timeline

Portrait of Henry GarnettAnonymous, European school, seventeenth century. Wikimedia Commons. Public domain. - What it shows
- A seventeenth-century painting of Henry Garnet in a black Jesuit habit holding a martyr's palm.
- Maker
- Anonymous, European school, seventeenth century
- Licence
- Public domain
- Source
- File:Portrait of Henry Garnett.jpg
- Used on
- Master Timeline

HenryGarnetExecutionEngraved for Mathias Tanner, Societas Jesu usque ad sanguinis et vitae profusionem militans, 1675. Wikimedia Commons. Public domain. - What it shows
- A 1675 engraving of Henry Garnet on the scaffold addressing the crowd, with the executioner beside him.
- Maker
- Engraved for Mathias Tanner, Societas Jesu usque ad sanguinis et vitae profusionem militans, 1675
- Licence
- Public domain
- Source
- File:HenryGarnetExecution.jpg
- Used on
- The World

Robertus Personius, PA03251Jacobus Neeffs, engraver, seventeenth century. Wikimedia Commons. Public domain. - What it shows
- A seventeenth-century engraving of Robert Persons in biretta and Jesuit cassock.
- Maker
- Jacobus Neeffs, engraver, seventeenth century
- Licence
- Public domain
- Source
- File:Robertus Personius, PA03251.jpg
- Used on
- The World

Edward Oldcorne; Nicholas Owen by Gaspar BouttatsGaspar Bouttats, engraver, seventeenth century. Wikimedia Commons. Public domain. - What it shows
- A seventeenth-century engraving of Edward Oldcorne and Nicholas Owen under torture in a prison.
- Maker
- Gaspar Bouttats, engraver, seventeenth century
- Licence
- Public domain
- Source
- File:Edward Oldcorne; Nicholas Owen by Gaspar Bouttats.jpg
- Used on
- The World

Fernando StanleyUnknown artist, 1594. Wikimedia Commons. Public domain. - What it shows
- A 1594 portrait of Ferdinando Stanley, Lord Strange, fifth Earl of Derby, in a plumed hat and embroidered doublet.
- Maker
- Unknown artist, 1594
- Licence
- Public domain
- Source
- File:Fernando Stanley.jpg
- Used on
- The World

Cobbe Portrait of SouthamptonAttributed to John de Critz; photograph of the Cobbe Collection portrait, about 1590 to 1600. Wikimedia Commons. CC BY-SA 3.0. - What it shows
- A 1590s portrait of Henry Wriothesley, third Earl of Southampton, with long hair and a lace collar.
- Maker
- Attributed to John de Critz; photograph of the Cobbe Collection portrait, about 1590 to 1600
- Licence
- CC BY-SA 3.0
- Source
- File:Cobbe Portrait of Southampton.jpg
- Used on
- Master Timeline

Ben Jonson, by Abraham van Blyenberch, NPG 2752Abraham van Blyenberch; scan by the National Portrait Gallery, about 1617. Wikimedia Commons. Public domain. - What it shows
- A portrait of Ben Jonson by Abraham van Blyenberch, about 1617.
- Maker
- Abraham van Blyenberch; scan by the National Portrait Gallery, about 1617
- Licence
- Public domain
- Source
- File:Ben Jonson, by Abraham van Blyenberch, NPG 2752.png
- Used on
- The Devil’s Advocate

The Gunpowder Plot Conspirators, 1605 by Crispijn van de Passe the ElderCrispijn van de Passe the Elder, 1605. Wikimedia Commons. Public domain. - What it shows
- The 1605 engraving by Crispijn van de Passe of eight Gunpowder plotters in tall hats conferring in a row.
- Maker
- Crispijn van de Passe the Elder, 1605
- Licence
- Public domain
- Source
- File:The Gunpowder Plot Conspirators, 1605 by Crispijn van de Passe the Elder.jpg
- Used on
- The Case For, Master Timeline

Baddesley Clinton house north 2016DeFacto, 2016-02-21. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- Baddesley Clinton, a moated manor house in Warwickshire, seen across the moat with its gatehouse tower.
- Maker
- DeFacto, 2016-02-21
- Licence
- CC BY-SA 4.0
- Source
- File:Baddesley Clinton house north 2016.jpg
- Used on
- The World

Coughton Court west frontDeFacto, 2016-04-17. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- The west front of Coughton Court, Warwickshire, with its stone gatehouse tower.
- Maker
- DeFacto, 2016-04-17
- Licence
- CC BY-SA 4.0
- Source
- File:Coughton Court west front.jpg
- Used on
- The World

Exterior of Harvington HallDave606, 2009. Wikimedia Commons. CC BY 3.0. - What it shows
- Harvington Hall, a red-brick Elizabethan house, seen across its moat in winter.
- Maker
- Dave606, 2009
- Licence
- CC BY 3.0
- Source
- File:Exterior of Harvington Hall.JPG
- Used on
- The World

Withdrawing Room with Priest Hole In Havrington Hall-Worcestershire-UK-2Quodvultdeus, 2013-05-08. Wikimedia Commons. CC BY-SA 3.0. - What it shows
- An opened panel in the Withdrawing Room at Harvington Hall revealing the narrow shaft of a priest hole.
- Maker
- Quodvultdeus, 2013-05-08
- Licence
- CC BY-SA 3.0
- Source
- File:Withdrawing Room with Priest Hole In Havrington Hall-Worcestershire-UK-2.jpg
- Used on
- The World

Hindlip hallUnknown; reproduced in Allan Fea, Secret Chambers and Hiding-Places, the house before 1814, reproduced 1908. Wikimedia Commons. Public domain. - What it shows
- An old print of Hindlip Hall, Worcestershire, a tall many-gabled Elizabethan house, as it stood before its demolition in 1814.
- Maker
- Unknown; reproduced in Allan Fea, Secret Chambers and Hiding-Places, the house before 1814, reproduced 1908
- Licence
- Public domain
- Source
- File:Hindlip hall.jpg
- Used on
- The World

Clopton House (geograph 2303062)Philip Halling, 2011-03-06. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- Clopton House near Stratford-upon-Avon, a red-brick house with stone dressings seen through its gate piers.
- Maker
- Philip Halling, 2011-03-06
- Licence
- CC BY-SA 2.0
- Source
- File:Clopton House (geograph 2303062).jpg
- Used on
- The World

Huddington Court - geograph.org.uk - 7958502Philip Halling, 2025-01-03. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- Huddington Court, Worcestershire, a close-studded timber-framed house with twisted brick chimneys, on a frosty morning.
- Maker
- Philip Halling, 2025-01-03
- Licence
- CC BY-SA 2.0
- Source
- File:Huddington Court - geograph.org.uk - 7958502.jpg
- Used on
- The World

The Church of St Mary the Virgin, Lapworth - geograph.org.uk - 3228584David P Howard, 2012-11-18. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- St Mary's Church, Lapworth, Warwickshire, from the south.
- Maker
- David P Howard, 2012-11-18
- Licence
- CC BY-SA 2.0
- Source
- File:The Church of St Mary the Virgin, Lapworth - geograph.org.uk - 3228584.jpg
- Used on
- The World

Church of St James the Great, Snitterfield - geograph.org.uk - 1706413David P Howard, 2010-02-13. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- St James the Great, Snitterfield, Warwickshire, from the south in sunshine.
- Maker
- David P Howard, 2010-02-13
- Licence
- CC BY-SA 2.0
- Source
- File:Church of St James the Great, Snitterfield - geograph.org.uk - 1706413.jpg
- Used on
- The World

Hoghton Tower 2Poliphilo, 2019-04-15. Wikimedia Commons. CC0. - What it shows
- The battlemented gatehouse of Hoghton Tower, Lancashire, at the top of its drive.
- Maker
- Poliphilo, 2019-04-15
- Licence
- CC0
- Source
- File:Hoghton Tower 2.jpg
- Used on
- The Devil’s Advocate

Rufford Old Hall - geograph.org.uk - 3582127Jeff Buck, 2013-08-01. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- Rufford Old Hall, Lancashire: the timber-framed great hall with its bay window and a brick wing.
- Maker
- Jeff Buck, 2013-08-01
- Licence
- CC BY-SA 2.0
- Source
- File:Rufford Old Hall - geograph.org.uk - 3582127.jpg
- Used on
- The Devil’s Advocate

Holywell, St. Winefride's Chapel and Well - geograph.org.uk - 7958883Michael Garlick, 2024-05-01. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The star-shaped stone basin of St Winefride's Well at Holywell under its vaulted crypt.
- Maker
- Michael Garlick, 2024-05-01
- Licence
- CC BY-SA 2.0
- Source
- File:Holywell, St. Winefride's Chapel and Well - geograph.org.uk - 7958883.jpg
- Used on
- The World

Tyburn treeUnknown engraver, about 1680. Wikimedia Commons. Public domain. - What it shows
- An engraving of about 1680 of the three-legged Tyburn gallows with a condemned man in a cart beneath it.
- Maker
- Unknown engraver, about 1680
- Licence
- Public domain
- Source
- File:Tyburn tree.jpg
- Used on
- The World

The Idle 'Prentice Executed at Tyburn (BM 1848,1125.220)William Hogarth; scan by the British Museum, 1747. Wikimedia Commons. Public domain. - What it shows
- Hogarth's 1747 engraving of an execution crowd at Tyburn with the triple gallows in the distance.
- Maker
- William Hogarth; scan by the British Museum, 1747
- Licence
- Public domain
- Source
- File:The Idle 'Prentice Executed at Tyburn (BM 1848,1125.220).jpg
- Used on
- The World

Tower of London MET DP823173Wenceslaus Hollar; scan by the Metropolitan Museum of Art, about 1640. Wikimedia Commons. CC0. - What it shows
- Wenceslaus Hollar's etching of the Tower of London from the river.
- Maker
- Wenceslaus Hollar; scan by the Metropolitan Museum of Art, about 1640
- Licence
- CC0
- Source
- File:Tower of London MET DP823173.jpg
- Used on
- The World

1647 Long view of London From Bankside - Wenceslaus Hollar (cropped)Wenceslaus Hollar, 1647. Wikimedia Commons. Public domain. - What it shows
- The Bankside section of Hollar's 1647 Long View of London, with the playhouses and the Thames.
- Maker
- Wenceslaus Hollar, 1647
- Licence
- Public domain
- Source
- File:1647 Long view of London From Bankside - Wenceslaus Hollar (cropped).jpg
- Used on
- The World

Anonymous - A View of the South Front of the North Side of the Marshalsea Prison - B1977.14.18328 - Yale Center for British ArtAnonymous, published by Robert Wilkinson; scan by the Yale Center for British Art, 1812, from a drawing of 1773. Wikimedia Commons. CC0. - What it shows
- An engraving of the old Marshalsea prison in Southwark, drawn in 1773.
- Maker
- Anonymous, published by Robert Wilkinson; scan by the Yale Center for British Art, 1812, from a drawing of 1773
- Licence
- CC0
- Source
- File:Anonymous - A View of the South Front of the North Side of the Marshalsea Prison - B1977.14.18328 - Yale Center for British Art.jpg
- Used on
- The World

Civitas Londinum A(n)no D(omi)ni circiter MDLX. Vertue Soc. Antiq. Lond - excudit 1737 - btv1b530778715 (6 of 8)George Vertue, after the map attributed to Ralph Agas; scan by the Bibliothèque nationale de France, 1737 impression of a map of about 1561. Wikimedia Commons. Public domain. - What it shows
- A sheet of the Agas map of London, about 1561, in Vertue's 1737 impression, showing Blackfriars on the river.
- Maker
- George Vertue, after the map attributed to Ralph Agas; scan by the Bibliothèque nationale de France, 1737 impression of a map of about 1561
- Licence
- Public domain
- Source
- File:Civitas Londinum A(n)no D(omi)ni circiter MDLX. Vertue Soc. Antiq. Lond - excudit 1737 - btv1b530778715 (6 of 8).jpg
- Used on
- The Case For, Master Timeline

1647 Long view of London From Bankside - Wenceslaus Hollar (cropped) (cropped)Wenceslaus Hollar, 1647. Wikimedia Commons. Public domain. - What it shows
- A crop of Hollar's 1647 Long View showing the Blackfriars waterfront.
- Maker
- Wenceslaus Hollar, 1647
- Licence
- Public domain
- Source
- File:1647 Long view of London From Bankside - Wenceslaus Hollar (cropped) (cropped).jpg
- Used on
- The Devil’s Advocate

Wenceslas Hollar - St Paul's. South side (State 1)Wenceslaus Hollar, for Dugdale's History of St Paul's, 1658. Wikimedia Commons. Public domain. - What it shows
- Hollar's etching of the south side of Old St Paul's Cathedral before the Great Fire.
- Maker
- Wenceslaus Hollar, for Dugdale's History of St Paul's, 1658
- Licence
- Public domain
- Source
- File:Wenceslas Hollar - St Paul's. South side (State 1).jpg
- Used on

The Globe Theatre from the Long Antwerp View of LondonAfter Claes Jansz Visscher, 1616. Wikimedia Commons. Public domain. - What it shows
- A detail of Visscher's 1616 view of London showing the polygonal Globe playhouse with its flag.
- Maker
- After Claes Jansz Visscher, 1616
- Licence
- Public domain
- Source
- File:The Globe Theatre from the Long Antwerp View of London.jpg
- Used on
- On Screen

Hamlet Q2 TP 1604Printed by James Roberts for Nicholas Ling, 1604. Wikimedia Commons. Public domain. - What it shows
- The title page of the 1604 Second Quarto of Hamlet.
- Maker
- Printed by James Roberts for Nicholas Ling, 1604
- Licence
- Public domain
- Source
- File:Hamlet Q2 TP 1604.jpg
- Used on
- The Works

First-page-first-folio-macbethIsaac Jaggard and Edward Blount, printers, 1623. Wikimedia Commons. CC BY-SA 4.0. - What it shows
- The first page of Macbeth in the 1623 First Folio.
- Maker
- Isaac Jaggard and Edward Blount, printers, 1623
- Licence
- CC BY-SA 4.0
- Source
- File:First-page-first-folio-macbeth.jpg
- Used on
- The Devil’s Advocate, The Works

William Shakespeare's Family Graves - geograph.org.uk - 3243498Len Williams, 2012-10-15. Wikimedia Commons. CC BY-SA 2.0. - What it shows
- The row of family grave slabs in the chancel of Holy Trinity, Stratford, with the church's labels.
- Maker
- Len Williams, 2012-10-15
- Licence
- CC BY-SA 2.0
- Source
- File:William Shakespeare's Family Graves - geograph.org.uk - 3243498.jpg
- Used on
- The Devil’s Advocate, The Family
Internet Archive

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 162 of Malone's 1790 edition, where the printed text of the Spiritual Testament begins mid-sentence at Article III.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Ledger, The Family

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 163 of Malone's 1790 edition, Articles IV to VII of the Testament.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Family

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 164 of Malone's 1790 edition, Articles VII to X of the Testament, naming Saint Winefride.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Family

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 165 of Malone's 1790 edition, Articles XI to XIII of the Testament.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Family

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 166 of Malone's 1790 edition, the close of the Testament.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Family

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 330 of Malone's 1790 edition, where Articles I and II of the Testament are printed from John Jordan's copy.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Devil’s Advocate, The Family, Master Timeline, Corrections to the common lore

Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2Edmond Malone, 1790. Internet Archive. Public domain. - What it shows
- Page 331 of Malone's 1790 edition, the end of Jordan's copy of the first leaf.
- Maker
- Edmond Malone, 1790
- Licence
- Public domain
- Source
- Malone, The Plays and Poems of William Shakspeare, 1790, vol. 1 part 2
- Used on
- The Family, The Fight

Peel, The Seconde Parte of a Register, 1915, vol. 2Albert Peel (editor), 1915. Internet Archive. Public domain. - What it shows
- Page 167 of Peel's 1915 edition of the Seconde Parte of a Register, listing Warwickshire clergy in 1586, including John Frith of Grafton, an old priest and unsound in religion.
- Maker
- Albert Peel (editor), 1915
- Licence
- Public domain
- Source
- Peel, The Seconde Parte of a Register, 1915, vol. 2
- Used on
- The Family, What is still open

Greg, The Book of Sir Thomas More, Malone Society 1911W. W. Greg (editor), 1911. Internet Archive. Public domain. - What it shows
- Page 76 of Greg's 1911 Malone Society edition of Sir Thomas More, the diplomatic transcript of the Hand D pages with More's speech to the rioters.
- Maker
- W. W. Greg (editor), 1911
- Licence
- Public domain
- Source
- Greg, The Book of Sir Thomas More, Malone Society 1911
- Used on
- The Works